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MUTOID MAN

  • Home
  • News
  • Music
    • War Moans
    • Bleeder
    • Helium Head
  • Shows
  • Photos
    • Recording at God City 2015
    • Live Photos
  • Videos
    • Official
    • Concert
    • Other
  • Band
    • Stephen Brodsky
    • Benjamin Koller
    • Nicholas Cageao
  • Contact
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Stephen Brodsky is a Descendent of punk/hardcore. Member of Cave In & Mutoid Man. Previous bands include Converge, Kid Kilowatt, New Idea Society, Octave Museum, Pet Genius, The Holey Moleys. Sonic hobbyist of "mid-fi" recordings (somewhere between high & low fidelity).

Steve Brodsky on Facebook
Cave In on Facebook
Cave In on Bandcamp
Stephen Brodsky's Octave Museum by Stephen Brodsky's Octave Museum

Stephen Brodsky's Octave Museum

Stephen Brodsky's Octave Museum

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On his third full-length solo release, Cave In vocalist/guitarist Brodsky parlays his formidable songwriting chops and solid gold power-pop sensibilities into a sparkling sea of shimmering chords, glorious vocal harmonies, and infectious acoustic ditties. With the expert assistance of Scissorfight's Kevin J. Strongbow and Thee Electric Bastards mastermind Johnny Northrup, this is the kind of record that makes you want to sing along to your old Elvis Costello records and cry yourself to sleep thinking about Elliott Smith.
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    Voice Electric 4:21
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    Sentimental Case 3:40
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    Kid Defender 4:00
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    Prove Myself 3:34
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    Bluebell 2:00
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    Red Headed Butterflies 4:57
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    Kill the Queen 4:04
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    Swingin' In the Sky 2:37
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    Spirals In Her Eyes 3:45
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  10. 10
    Ploo 2:32
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The Black Ribbon Award by Stove Bredsky

The Black Ribbon Award

Stove Bredsky

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We’re not exactly sure how he does it, but he’s done it again. Our man Stove Bredsky (a.k.a. Stovetop Bredsky, a.k.a. Steev Brawdski, a.k.a. Steve Brodsky) cranks out the sweet tunes like one of those Play-Doh confetti makers cranks out multicolored string-turds. Luckily, Bredsky’s shit won’t get stuck under your fingernails—it’ll just ping-pong around in your skull for a coupla years, during which time our man will have sawed off another 15 albums’ worth of infectious pop-rock delights.

This time, Brodsky has awarded himself The Black Ribbon Award for various questionable behaviors, the nature of which should remain unspoken—at least here, and by us. Fast on the shit-hot heels of last year’s catchy-as-fuck Pet Genius long-player, Brodsky has returned to his signature one-man band format, recording 18 tracks of melancholy melodiousness at Club Awesome in Somerville, MA.

The songs within were all originally written back in the ’90s, when Brodsky was piloting the almighty, ever-morphing Cave In through the thankless stream of commerce. Seriously, the vocal harmonies on this one are enough to make a grown man (read: us) weep.
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    Blue Seclusion 1:02
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    Dead of Winter 1:57
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    Mayfly 2:38
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    Dead Battery 4:14
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    Blood Red Blues 1:47
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    Spacegirl Saturn 4:03
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    Failure 3:02
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    Fall Days 1:55
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    Rainbow No More 3:00
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    Trout 2:06
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    Orange Sunshine Medicine 2:54
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    Splatterbrain 3:19
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    The Coattail Rider 3:45
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    Chine 3:11
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    Return to Rain 5:22
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    Untitled 1:41
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    Prospect Hill 4:28
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  18. 18
    A Swelling Hope 5:25
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Tweets by @StephenBrodsky

Hooked: Stephen Brodsky on Led Zeppelin's "Communication Breakdown" // Premier Guitar 

Mutoid Man maestro and Two Minutes to Late Night staple Stephen Brodsky notes "the glue" he needed to stick with guitar lessons and traces how Led Zeppelin steered the evolution of his bands.

Via Hooked on Premier Guitar

11/06/2020

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Stephen Brodsky Feature // Kerrang Magazine 

Guitarist ,Stephen Brodsky, in this month’s issue of Kerrang Magazine.

06/06/2018

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Stephen Brodsky in Guitar World Magazine 

Check out the feature on Stephen Brodsky and Nick Cageao in the August 2017 issue of Guitar World – on newsstands now.

And don’t miss Mutoid Man on their US tour HERE

06/13/2017

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Interview: Stephen Brodsky Talks Cave In, Mutoid Man, And His Beginnings  


Y
ou probably know Stephen Brodsky as one of the most prolific musicians in the underground scene. He was a member of Converge during the band’s early days, and he founded Cave In.

Cave In alone is enough to show Brodsky’s dynamic approach to music: No two albums sound the same. His most recent project is the sludge-laden punk trio, Mutoid Man. The time signatures on Helium Head are something you’d expect from a progressive band, but that doesn’t compromise the band’s punk roots: The sound is ultimately relatable, and not soaked in the academic pretentions of other bands looking to explore unorthodox rhythms.

I got a chance to talk with Brodsky recently. He told me what I can expect from the upcoming Mutoid Man full-length, as well as some of his musical inspirations.

What inspired you to start playing guitar and writing music?
I guess I just wanted to be good at something. I played sports when I was younger but never felt like I was competitive enough for the team. With music, I could be competitive with myself, and that was more my speed.


What was the hardest thing you had to overcome during your development as a musician?
I'm very impatient by nature. Not always the best quality when you're starting out. The first song I learned to play on guitar? "Patience" by Guns N' Roses.

Your music ranges from indie rock to metal. Is it ever difficult to channel such an eclectic background?
Well, it's all within the realm of rock n' roll. But yeah sometimes I suffer a bit from option paralysis, being able to conceptualize the same song in different styles. I guess it all depends who I play with. Then I can weigh heavier on certain aspects and back off with others.

What inspired the drastic change in Cave In’s sound?
From the start, I never wanted Cave In to be a straight-up hardcore band. And it took some time for us to figure out how to do that successfully. All the trial and error wouldn't have been possible without a group of willing participants. It takes more than just plugging in a delay pedal.

Would there be any genre of music you’d be opposed to exploring?
I can't say that I'm against any particular genre of music. But I draw the line with anything that's lyrically homophobic, sexist, racist, or generally hateful.

What’s the process of writing music like for you?
There needs to feel like a certain level of invention. That usually permits me to open myself wholly to an idea. Then vocal patterns, maybe a lyric, and finding the right sense of conviction to sing it. Lastly, leaving some room for spontaneity.

What can we expect from the upcoming Mutoid Man full-length? How will it compare to Helium Head?
Sonically there's a bit more breathing room with the LP than Helium Head, which was pretty much balls to the wall. And since Nick joined the band, we wrote everything as a 3-piece, which had a huge impact on our songwriting. Plus our producer Kurt Ballou had some great input, and overall I'm very pleased.

What’s the biggest change you’ve noticed in the underground music scene since the rise of social media?
The level of archiving online seems to have taken a massive leap. On a weekly basis, I get tagged in all sorts of videos, flyers, artwork, photos and things relating to my music. Some of it's new to me, other stuff I haven't seen in years... mostly it's endearing, sometimes a little embarrassing, and always interesting.

What albums/bands are you currently getting into?
I'm still reeling from Earth's "Primitive And Deadly." From the Cave In camp, both Old Man Gloom and King Duane Sunnapee released some great stuff recently. And I'm always making up for lost time - just now getting into stuff from Pig Destroyer, Baroness, OM, Gospel, Rainbow... oh, and the new Smashing Pumpkins has a few good tunes - is that a guilty pleasure?

2014 was the first year without a platinum selling record. What do you make of the current state of the music industry?
I have mixed feelings. For me, the only thing that stays the same is wanting to put my head down, plow forward and strive to do better. There's no reason to stop until I come as close as possible to perfection. If you can get into that mindset, then the music industry is nothing but wallpaper.

Is there anything else you would like to add?

Thanks for your support.

Reposted from Empty Lighthouse Magazine

01/16/2015

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